{"id":235,"date":"2024-06-28T14:55:14","date_gmt":"2024-06-28T14:55:14","guid":{"rendered":"https:\/\/dev.m-bochum.de\/?page_id=235"},"modified":"2024-07-03T15:15:17","modified_gmt":"2024-07-03T15:15:17","slug":"lucinda-devlin-2","status":"publish","type":"page","link":"https:\/\/dev.m-bochum.de\/index.php\/lucinda-devlin-2\/","title":{"rendered":"Lucinda Devlin Bio"},"content":{"rendered":"
\"\"Biografie von Lucinda Devlin<\/b><\/div>\n

* 1947 in Ann Arbor, MI
\nLebt und arbeitet in Greensboro, NC<\/p>\n

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1971 Bachelor of Science in Englisch und Kunst an der Eastern Michigan University, Ypsilanti, MI
\n1972 Graduate Studies in Photographie, School of the Art Institute, Chicago, IL
\n1974 Master of Fine Arts in Photographie an der Eastern Michigan University, Ypsilanti, MI
\nSeit 1977 Lehrt\u00e4tigkeiten f\u00fcr Fotografie, Geschichte der Fotografie an verschiedenen Universit\u00e4ten<\/p>\n

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Ausgew\u00e4hlte Ausstellungen in der Galerie m Bochum<\/b><\/span>
\n40 Years! Surveys with the Camera since 1977, 2018<\/a><\/span>
\nLake Pictures, 2015<\/a><\/span>
\nField Culture & Lake Pictures, 2011<\/a><\/span>
\nSubterranea, 2008<\/a><\/span>
\nTime is always now, 2007<\/a><\/span>
\nSummertime, 2006<\/a><\/span>
\nGrenz\u00fcberschreitung \/ Passing Boundaries, 2005<\/a><\/span>
\nWeitere Serien\/Other Series: Corporal Arenas, Habitats, Water Rites, 2001<\/a><\/span><\/p>\n

 <\/p>\n

Serien, seit<\/b><\/span>
\nPleasure Ground<\/a><\/i>, 1977<\/span>
\nCorporal Arenas<\/a><\/i>, 1980<\/span>
\nHabitats<\/a> <\/i>, 1985<\/span>
\nThe Omega Suites<\/a><\/i>, 1991<\/span>
\nWater Rites<\/a><\/i>, 1999<\/span>
\nField Culture<\/a> <\/i>, 2005<\/span>
\nSubterranea<\/a> <\/i>, 1980<\/span>
\nLake Pictures<\/a><\/i>, 2010<\/span><\/p>\n

 <\/p>\n

Auszeichnungen und Preise
\n<\/b>1978 Lightwork Photography Grant, Lightwork Visual Studies, Syracuse, NY<\/span>
\n1979 Creative Artists in Public Service (CAPS) Fellowship, New York State Council on the Arts, NY<\/span>
\n1982-83 Artists Project Grant, New York State Council on the Arts, with video artist John Orentlicher, NY<\/span>
\n1990 The Photographers Fund, Center for Photography at Woodstock, NY.v<\/span>
\n1991 NEA\/Japan Fellowship Exchange, Alternate Finalist, Japan<\/span>
\n1992 National Endowment for the Arts, Individual Artist Fellowship, Washington D.C.v Aaron Siskind Foundation, Individual Artist Fellowship, NY<\/span>
\n1993 Artist Residency, LaNapoule Art Foundation and NEA, LaNapoule, Frankreich<\/span>
\n1996 New York Foundation for the Arts, The Catalogue Project, NY<\/span>
\n1999 Mississippi Arts Commission, Artist Grant, MS<\/span>
\nMississippi Institute of Arts and Letters, Photography Award, MS<\/span>
\nArtist Residency, Deutscher Akademischer Austauschdienst (DAAD), Berlin, Deutschland<\/span>
\n2001 LeadAward, Akademie Bildsprache, Hamburg, Deutschland<\/span>
\n2007 Efroymson Contemporary Art Fellowship, IN<\/span><\/p>\n

 <\/p>\n

Werke in \u00f6ffentlichen Sammlungen<\/b><\/span>
\nKunstsammlung NRW (Sammlung Ackermans), D\u00fcsseldorf<\/span>
\nDZ Bank AG, Frankfurt am Main<\/span>
\nm Bochum Kunstvermittlung, Bochum<\/span>
\nSIC! Stavanger International Collection Norway<\/span>
\nBibliotheque Nationale, Paris, Frankreich<\/span>
\nThe Alexander Art Hotel, Indianapolis, IN<\/span>
\nIndiana State Museum, Indianapolis, IN<\/span>
\nIndianapolis Museum of Art, Indianapolis, IN<\/span>
\nSnite Museum of Art, University of Notre Dame, IN<\/span>
\nBirmingham Museum of Art, AL<\/span>
\nCenter for Creative Photography, Tucson, AZ<\/span>
\nCenter for Photography, Woodstock, NY<\/span>
\nEdgewater Development Corporation, Syracuse, NY<\/span>
\nLightwork, Syracuse, NY<\/span>
\nGuggenheim Museum, NY<\/span>
\nPicker Art Gallery, Colgate University, Gary M. Hoffer Memorial Collection, NY<\/span>
\nWhitney Museum of Art, NY<\/span>
\nChrysler Museum of Art, Norfolk, VA<\/span>
\nHouston Museum of Art, Houston, TX<\/span>
\nLibrary of Congress, Washington, DC<\/span>
\nMilwaukee Art Museum, WI<\/span>
\nMint Museum, Charlotte, NC<\/span>
\nNational Museum of Photography, Film and Television, Bradford, UK<\/span>
\nNorton Museum of Art, West Palm Beach, FL<\/span>
\nPhotographic Archives, University of Louisville, KY<\/span>
\nPrinceton University Art Museum, Aaron Siskind Foundation Fellowship Collection, NJ<\/span>
\nSan Francisco Museum of Modern Art<\/span><\/p>\n

 <\/p>\n

Einzelausstellungen (Auswahl)<\/b><\/span>
\n2023<\/span>
\nLucinda Devlin – Frames of Reference<\/i>, Die Photograpische Sammlung\/SK Stiftung Kultur, K\u00f6ln<\/span>
\n2018<\/span>
\n40 Years! Surveys with the Camera since 1977<\/a>, Galerie m, Bochum<\/span>
\n2017<\/span>
\nLucinda Devlin. Sightlines<\/i>, George Eastman Museum, Rochester, NY<\/span>
\nLucinda Devlin: Sightlines<\/i>, Weatherspoon Art Museum, Greensboro<\/span>
\n2015<\/span>
\nLake Pictures<\/i><\/a> , Galerie m Bochum<\/span>
\n2011<\/span>
\nField Cultures<\/i><\/a> & <\/i>Lake Pictures<\/i><\/a>, Galerie m Bochum<\/span>
\n2010<\/span>
\nThe Omega Suites<\/i>, Haggerty Museum of Art, Wisconsin<\/span>
\nThe Omega Suites<\/i>, Centre de la photographie, Gen\u00e8ve<\/span>
\n2008<\/span>
\nThe Omega Suites<\/i>, Transit Art Space, Skansekaien, Stavanger, Norwegen<\/span>
\nSubterranea<\/i><\/a>, Galerie m Bochum<\/span>
\n2006<\/span>
\nThe Omega Suites<\/i>, Saarlandmuseum, Saarbr\u00fccken<\/span>
\n2005<\/span>
\nThe Omega Suites<\/i>, Bell Gallery, Brown University, Providence, Rhode Island<\/span>
\nThe Omega Suites<\/i>, The Wadsworth Atheneum, Hartford Connecticut<\/span>
\n2004<\/span>
\nThe Omega Suites<\/i>, Goethe Institut Hongkong<\/span>
\n2003<\/span>
\nWater Rites<\/i>, Museum Kurhaus Kleve (Kat.)<\/span>
\n2002<\/span>
\nThe Omega Suites<\/i>, Center for Creative Photography, Tucson, AZ<\/span>
\nThe Omega Suites<\/i>, Ludwig Museum im Deutschherrenhaus, Koblenz (Kat.)<\/span>
\nPleasure Ground, Corporal Arenas, The Omega Suites<\/i>, Indianapolis Museum of Art, IN (Folder)<\/span>
\nThe Omega Suites<\/i>, SoFA Gallery Indiana University, Bloomington, IN<\/span>
\nPleasure Ground<\/i>, Bibliotheque National, Paris (Kat.)<\/span>
\n2001<\/span>
\nThe Omega Suites<\/i>, Johnson County Community College Art Gallery, Kansas City, MO<\/span>
\nWeitere Serien\/Other Series: Corporal Arenas, Habitats, Water Rites,<\/i> Galerie m Bochum Fotografie, Bochum<\/span>
\nNeue Photoserien: Habitats, Corporal Arenas, Pleasure Ground<\/i>, Brotfabrik, Berlin<\/span>
\n2000<\/span>
\nThe Omega Suites. Water Rites<\/i>, daad Galerie, Berliner K\u00fcnstlerprogramm, Berlin (Kat.)<\/span>
\nThe Omega Suites<\/i>, Paul Rodgers 9\/W, New York, NY<\/span>
\n1999<\/span>
\nThe Omega Suites<\/i>, Erpis Gallery, Tokyo, Japan<\/span>
\n1998<\/span>
\nUn-R\u00e4ume, (The Omega Suites<\/i>), Galerie m, Bochum<\/span>
\nThe Omega Suites<\/i>, Stills Gallery, Edinburgh, Schottland<\/span>
\n1997<\/span>
\nThe Omega Suites<\/i>, Museum of Art, University of Southern Mississippi, MS<\/span>
\n1995<\/span>
\nThe Omega Suites<\/i>, Fotofeis ’95, Aberdeen Art Gallery and Museum, Scotland Invited Artist (Kat.)<\/span>
\n1993<\/span>
\nThe Omega Suites<\/i>, Tartt Gallery, Washington D.C.<\/span>
\nThe Omega Suites<\/i>, Gallery TPW, Toronto, Kanada<\/span>
\nThe Omega Suites<\/i>, The Photographer’s Gallery, Saskatoon, Kanada<\/span>
\nThe Omega Suites<\/i>, Blue Sky Gallery, Portland, OR (Kat.)<\/span>
\n1992<\/span>
\nThe Omega Suites<\/i>, Menschel Gallery, Syracuse, NY, (Kat.)<\/span>
\n1990<\/span>
\nLucinda Devlin – Fotografias<\/i>, (Pleasure Ground), Centro Colombo Americano, Medellin, Kolumbien<\/span>
\nLucinda Devlin – Color Photographs<\/i>, (Corporal Arenas, Pleasure Ground, Habitats), The Photography Gallery, Harbour Front, Toronto<\/span>
\n1989<\/span>
\nPleasure Ground<\/i>, Photo Gallery, Tyler School of Art, Philadelphia, PA<\/span>
\n1988<\/span>
\nLucinda Devlin, Colour Photographs<\/i>, Photospace, Northern Illinois University, Dekalb, IL<\/span>
\n1987<\/span>
\nPleasure Ground<\/i>, Northlight Gallery, Arizona State University, Tempe, AR<\/span>
\n1983<\/span>
\nPleasure Ground<\/i>, Bell Gallery, Brown University, Providence, RI<\/span>
\n1982<\/span>
\nPleasure Ground<\/i>, Centro Colombo Americano, Bogota, Kolumbien<\/span>
\nPleasure Ground<\/i>, Pittsburgh Filmmakers Gallery, Pittsburgh, PA<\/span>
\nPleasure Ground<\/i>, Chicago Center for Contemporary Photography, Chicago, IL<\/span>
\n1979<\/span>
\nMetropolitan State College, Denver, CO<\/span><\/p>\n

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Gruppenausstellungen<\/b><\/span>
\n2023<\/span>
\nNaturen<\/a><\/i>, Galerie m, Bochum<\/span>
\n2022<\/span>
\nAntipoden<\/a><\/i>, Galerie m, Bochum<\/span>
\n2022<\/span>
\nAtmen<\/i>, Hamburger Kunsthalle<\/span>
\n2019<\/span>
\nGalerie m | 3. Mai 1969 – 3. Mai 2019<\/a><\/i><\/span>
\n2018<\/span>
\nLAND__SCOPE.<\/i> Fotoarbeiten von Roni Horn bis Thomas Ruff aus der DZ BANK Kunstsammlung, M\u00fcnchner Stadtmuseum<\/span>
\nStill Water. Politiken des Wassers<\/i>, Hospitalhof, Stuttgart<\/span>
\n2016<\/span>
\nHopes of Paradise<\/i><\/a>, Galerie m, Bochum<\/span>
\n2015<\/span>
\nSguardo di Donna | Through Women’s Eyes<\/i>, Casa dei Tre Oci, Venedig<\/span>
\nDARK!<\/i> (The Omega Suites), Zentrum f\u00fcr Internationale Lichtkunst, Unna<\/span>
\n\u00dcber Wasser. Malerei und Photographie von William Turner bis Olafur Eliasson<\/i> (Lake Pictures), Bucerius Kunst Forum, Hamburg<\/span>
\nSchlaflos – Das Bett in Geschichte und Gegenwartskunst<\/i> (The Omega Suites), 21er Haus, Wien<\/span>
\n2014<\/span>
\nLandschaft als Dekollet\u00e9 – Fenster als Element und Metapher<\/i>, Kunst- und Kulturstiftung Opelvillen R\u00fcsselsheim<\/span>
\n2013<\/span>
\nFarbe Form Fotografie Fl\u00e4che. Abstrakte Tendenzen in der k\u00fcnstlerischen Fotografie<\/i>, (Lake Pictures), DZ Bank Kunstsammlung, Frankfurt am Main<\/span>
\nYes Naturally. How Art saves the World<\/i>, (Subteranea), Gemeentemuseum Den Haag, NL<\/span>
\n2012<\/span>
\nReligion & Riten<\/i>, Art Foyer der DZ BankKunstsammlung, Frankfurt am Main<\/span>
\nPlay it again, Sam<\/i><\/a>, Galerie m, Bochum<\/span>
\n2011<\/span>
\nHaunted: Contemporary Photography\/Video\/Performance<\/i>, Guggenheim Bilbao<\/span>
\nAuf die Pl\u00e4tze. Die Sportausstellung<\/i>, (Water Rites), Deutsches Hygiene Museum, Dresden<\/span>
\nCome in!<\/i>, Art Foyer der DZ Bank, Frankfurt<\/span>
\nDEAD_Lines<\/i>, (The Omega Suites), Von der Heydt Kunsthalle, Wuppertal-Barmen<\/span>
\n2010<\/span>
\nOut of Control<\/i>, Biennial of Photography and Visual Arts in Li\u00e8ge<\/span>
\nBroken Lines<\/i>, (The Omega Suites), Anna Klinkhammer Galerie, D\u00fcsseldorf<\/span>
\nExposed. Voyeurism, Surveillance, and the Camera Since 1870<\/i>, San Francisco Museum of Modern Art (SFMOMA)<\/span>
\n2009<\/span>
\nLast Gaze<\/i>, Konferenz an der Hochschule f\u00fcr Bildende K\u00fcnste Braunschweig<\/span>
\nZeitgen\u00f6ssische Kunst aus Deutschland und China<\/i>, (The Omega Suites), Wuhan Museum of Fine Arts, China<\/span>
\nAusstellung anl\u00e4sslich des Prix BMW<\/i> w\u00e4hrend der Paris Photo<\/i><\/span>
\n2008\/2009<\/span>
\nRendez-vous mit dem Realen. Die Spur des Traumas in der Kunst, Kunstsammlungen der Ruhr Universit\u00e4t Bochum, Campusmuseum, Bochum<\/span>
\n2008<\/span>
\nUnder Pain of Death – contemporary art on an ongoing reflection<\/i>, (The Omega Suites), Austrian Cultural Forum, New York 2007\/2008<\/span>
\nexitus – tod allt\u00e4glich,<\/i> (The Omega Suites), K\u00fcnstlerhaus Wien<\/span>
\nT\u00f6ten.<\/i> (The Omega Suites), Zeitraumexit, Mannheim<\/span>
\n2007<\/span>
\nDie Liebe zum Licht. Fotografie im 20. und 21. Jahrhundert, (The Omega Suites), <\/i>Museum Bochum<\/span>
\nZum Sterben sch\u00f6n! Der Tod in der Kunst des 20. Jahrhunderts,<\/i> (The Omega Suites), Kunsthalle Recklinghausen<\/span>
\nA Place Without a place<\/i>, (The Omega Suites), Thessaloniki Museum of Photography, Griechenland<\/span>
\nDeath Bizarr,<\/i> (The Omega Suites), The Centre of Photography at Woodstock, New York<\/span>
\nsublime. Werke aus der Sammlung der DZ Bank,<\/i> Evangelische Stadtakademie, Frankfurt am Main<\/span>
\n2006<\/span>
\nSummertime<\/i>, Galerie m, Bochum<\/a><\/span>
\nShelter<\/i>, (The Omega Suites), Nationalgalerie, Berlin<\/span>
\nHome: Living with Contemporary Art<\/i>, Indianapolis Museum of Contemporary Art<\/span>
\nDer verletzbare K\u00f6rper – Ein anderer Blick auf den menschlichen K\u00f6rper,<\/i> Forum f\u00fcr Fotografie, K\u00f6ln<\/span>
\n2005<\/span>
\nDisco: A Decade of Saturday Nights, <\/i>(Pleasure Ground), The New York Public Library for the Performing Arts, Lincoln Center, NY<\/span>
\nThe Exonerated, Made for Court TV production of the play starring Susan Sarandon, Brian Dennehy, Danny Glover, Delroy Lindo, Aiden Quinn (12 images from The Omega Suites appear throughout the production)<\/span>
\nDuty of Delight: Dontemporary Art and Rhetoric of Power,<\/i> The Center of Contemporary Art, Louisville, Kentucky<\/span>
\n2004<\/span>
\nLa alegr\u00eda de mis sue\u00f1a, <\/i>(Water Rites), 1. Bienal de Arte Contempor\u00e1neo de Sevilla (Kat.)<\/span>
\nNic\u00e9phore + 164, <\/i>(The Omega Suites), Clermont Ferrand, Frankreich<\/span>
\nAndy Warhol: Commodities, Celebrities, Death and Disaster,<\/i> (The Omega Suites), Salina Art Center, Salina, Kansas<\/span>
\n2003<\/span>
\nM_ARS, Kunst und Krieg, <\/i>(The Omega Suites), Neue Galerie Graz am Landesmuseum Joaneum, \u00d6sterreich (Katalog)<\/span>
\nTodesstrafe, Vergangenheit und Gegenwart, <\/i>(The Omega Suites), Historisches Museum Luzern, Schweiz (Kat.)<\/span>
\nt\u00f6ten, <\/i>(The Omega Suites), Evangelische Stadtakademie Frankfurt<\/span>
\nLucinda Devlin Corporal Arenas<\/i> und Peter Hendricks Sehs\u00fcchtig Sehns\u00fcchtig,<\/i>Darmst\u00e4dter Sezession, Mathildenh\u00f6he, Darmstadt (Kat.)<\/span>
\n2002<\/span>
\nThe Omega Suites,<\/i> Encontros da Imagem, Braga, Portugal (Kat.)<\/span>
\nNo Exit: Images of Imprisonment, <\/i>(The Omega Suites), San Francisco Camerawork, CA<\/span>
\nThe Culture of Violence,<\/i> (The Omega Suites), University Gallery, University of Massachusetts, Amherst, MA<\/span>
\nFormal\/Social,<\/i> (The Omega Suites, Pleasure Ground), Kunstverein M\u00fcnster (Kat.)<\/span>
\nGewaltBilder – Gewalt in der Gegenwartskunst, <\/i>(The Omega Suites), Museum Bellerive, Z\u00fcrich, Schweiz und: Kunstraum Quartier 21, Wien, \u00d6sterreich (Kat.)<\/span>
\nPleasure Ground,<\/i> 25th Biennale Sao Paolo, Brasilien (Kat.)<\/span>
\n3ter Umbau \u2013 Schr\u00e4gspur, <\/i>(The Omega Suites), Hamburger Kunsthalle<\/span>
\nKrokodil und Schwein, Fotosafari in der Gro\u00dfstadt, <\/i>(Habitats), Kunstsammlungen Cottbus (Kat.)<\/span>
\nExcess, <\/i>(Pleasure Ground), Palm Beach Institute of Contemporary Art, Lake Worth, Florida<\/span>
\nAUBES R\u00eaveries au bord de Victor Hugo, <\/i>(The Omega Suites), Maison de Victor Hugo, Paris (Kat.)<\/span>
\n2001<\/span>
\nIn Cold Blood, <\/i>(The Omega Suites), Samuel Dorsky Museum of Art, State University of New York, New Paltz, NY<\/span>
\nArt of Wellbeing – The Asthetics of Recreation, <\/i>(Water Rites), artForum, Merano, Italien (Kat.)<\/span>
\nIn A Lonely Place, <\/i>(The Omega Suites), National Museum of Photography, Bradford, Gro\u00dfbritannien (Kat.)<\/span>
\nPlateau of Mankind,<\/i> (The Omega Suites), Venice Biennale, Venedig (Kat.)<\/span>
\n2000<\/span>
\nLandschaft in der zeitgen\u00f6ssischen Fotografie. Aus der Sammlung der DG Bank <\/i>(Habitats), Landesmuseum, Oldenburg<\/span>
\nKatastrophen und Desaster – Das Jahrhundert am Ende, <\/i>(The Omega Suites), Museum Folkwang, Essen (Kat.)<\/span>
\n1999<\/span>
\nLucinda Devlin, Andreas Gursky, Candida Hofer: R\u00e4ume, <\/i>(The Omega Suites), Kunsthaus Bregenz, Bregenz, \u00d6sterreich (Kat.)<\/span>
\n1998<\/span>
\nUnder\/Exposed, <\/i>(The Omega Suites), Stockholm Underground, Schweden (Kat.)<\/span>
\n1997<\/span>
\nMatters of a Fine Wall, <\/i>(The Omega Suites), Bakalar Gallery, Massachusetts College of Art, Boston<\/span>
\n1996<\/span>
\nDiscipline and Photography, <\/i>(The Omega Suites), The Peace Museum, Chicago, IL (Kat.)<\/span>
\nPhotography In the 1990’s, <\/i>(The Omega Suites), Wright State University Art Galleries, Dayton, Ohio (CD ROM Kat.)<\/span>
\nMacht\/OnMacht, <\/i>(The Omega Suites), International Cultureel Centrum, Antwerpen, Belgien (Kat.)<\/span>
\n1995<\/span>
\nMeta\/Physics: Crossing Boundaries in Contemporary Photography, <\/i>(The Omega Suites), DePree Art Center and Gallery, Hope College, Holland, MI (Kat.)<\/span>
\nCrimes and Punishments, <\/i>(The Omega Suites), Philadelphia Art Alliance, in Zusammenarbeit mit Prison Sentences, PA<\/span>
\n1994<\/span>
\nEvidence of Death: Andres Serrano, Sophie Calle, Lucinda Devlin, James VanderZee, <\/i>(The Omega Suites), The Light Factory, Charlotte, NC<\/span>
\n1993<\/span>
\nWorking With Tradition: The Academic Artist, <\/i>(The Omega Suites), Burchfield Art Center, Buffalo, NY and The New York State Museum, Albany, NY (Kat.)<\/span>
\n1992<\/span>
\nMedicine Body, <\/i>(Corporal Arenas), University Galleries, Illinois State University, Bloomington, IL<\/span>
\nMurder As Phenomena, <\/i>(The Omega Suites), SF Camerawork, San Francisco, CA<\/span>
\n1991<\/span>
\nMyth, Spirituality and Culture, <\/i>(The Omega Suites), College Art Gallery, SUNY New Paltz, NY<\/span>
\n1990<\/span>
\nPhotographer’s Fund Recipients, <\/i>(Pleasure Ground), Center for Photography, Woodstock, NY<\/span>
\nPublic Exposures: One Decade, <\/i>(Pleasure Ground), Gallery TPW, Toronto, Kanada<\/span>
\n1989<\/span>
\nSigns of Life, <\/i>(Corporal Arenas), ArtLink, Fort Wayne, IN, Curator’s Choice Award<\/span>
\nCross Section<\/i>, (Pleasure Ground), Ford Gallery, Eastern Michigan University, Ypsilanti, MI<\/span>
\nPhotograph As Document, ( Pleasure Ground),<\/i> Downey Museum of Art, Downey, CA<\/span>
\n1988<\/span>
\nTechnological Simulations,<\/i> Another Gallery, Syracuse, NY<\/span>
\n1987<\/span>
\nPhoto Environments: Real and Imagined,<\/i> University of Northern Iowa Gallery of Art, Cedar Falls, IA<\/span>
\nAmerican Color,<\/i> New Mexico State University Art Gallery, Las Cruces, NM (Ausst.-Tournee, Katalog)<\/span>
\n1986<\/span>
\nThree Rivers Arts Festival, Art Institute of Pittsburgh, PA<\/span>
\nNew Developments, Contemporary American Photography,<\/i> Louis K. Meisel Gallery, New York, NY<\/span>
\nPersonification of Space: Lucinda Devlin und Michelle Van Parys, (Pleasure Ground),<\/i>Light Factory, Charlotte, NC<\/span>
\n1984<\/span>
\nArtists of Central New York,<\/i> Munson Williams Proctor Institute, Utica, NY (Kat.)<\/span>
\n1985<\/span>
\nPleasure Ground,<\/i> Lightwork Gallery, Syracuse, NY, mit John Orentlicher<\/span>
\nLightwork, Photography Over the 70’s and 80’s,<\/i> Everson Museum, Syracuse, NY Featured Artist (Kat.)<\/span>
\n1983<\/span>
\nCultural Engineering,<\/i> National Gallery of Kanada, Ottawa, mit Tom Sherman, (Kat.)<\/span>
\n1982<\/span>
\nCAPS Photography Award Show,<\/i> Nikon House Gallery, New York, NY<\/span>
\nColor Realism,<\/i> Lightwork Gallery, Syracuse, NY<\/span>
\nEverson Biennial, (Pleasure Ground),<\/i> Everson Museum of Art, Syracuse, NY<\/span>
\n1979<\/span>
\nSeven from Syracuse,<\/i> CEPA Gallery, Buffalo, NY<\/span>
\n1978<\/span>
\nRefocus ’78,<\/i> University of Iowa, Iowa City, IO, Prive<\/span>
\n1977<\/span>
\nSouthwest Center of Photography, Austin, TX (Exh.-Tour)<\/span>
\n1976<\/span>
\nHow America Lives,<\/i> Midtown Y Gallery, New York, NY<\/span>
\nAmericana,<\/i> Creative Eye Photo Gallery, Los Angeles, CA<\/span>
\nPhotography and Language,<\/i> Camerawork Gallery, San Francisco, CA<\/span>
\n1973<\/span>
\nUniversity of Michigan Art Gallery, Ann Arbor (mit Lynne Cohen) MI<\/span>
\n1972<\/span>
\nPhotography ’72,<\/i> Toledo Museum of Art, Ohio<\/span><\/p>\n

 <\/p>\n

Bibliografie (Auswahl)<\/b><\/span>
\n2023<\/span>
\nExh. Cat.: Lucinda Devlin – Frames of Reference<\/i>, Photographische Sammlung Sk Stiftung Kultur, K\u00f6ln, mit Texten von Julia Sonnenfeld-Wurthmann, Gabriele Conrath-Scholl, Claudia Schubert, Interview Lisa Le Feuvre mit Lucinda Devlin, dt.\/engl.<\/span>
\n2018<\/span>
\n2008<\/span>
\nStremmel, Kerstin: Ars moriendi<\/i>, in: Humboldt 150, 2008, (The Omega Suites)<\/span>
\nJohnson, Ken: Sanctioned Killings, and the Very Many That Aren’t<\/i>, in: New York Times, 1. Februar, 2008 (TOS), and Exit Magazine #29, „Peep Show“, Spain (PG)<\/span>
\n2007<\/span>
\nWeil, Elizabeth: The Needle and the Damage Done, in: The New York Times Magazine, 11.02.2007 (Omega Suites)<\/span>
\n2006<\/span>
\nGrozs David, „Depicting an ugly America“, The New York Sun, Aug. 24, 2006<\/span>
\nBaker, RC, „Bipolar“, The Village Voice, July 13, 2006<\/span>
\n2005<\/span>
\nPicnic Magazine (TOS), Mexico City, Mexico<\/span>
\n2004<\/span>
\nSzeemann, Harald: Water Rites, Ausst.-Kat La alegr\u00eda de mis sue\u00f1a, 1. Bienal de Arte Contempor\u00e1neo de Sevilla (cat.)<\/span>
\nThe Face of Human Rights, (The Omega Suites), Lars Muller Publishers, Switzerland Sept.<\/span>
\n\u201eTopic Magazine, #5: Prison\u201c, New York, NY March 2004 (portfolio of 8 images from The Omega Suites)<\/span>
\nBritish Journal of Photography, Sept., (WR)<\/span>
\nStill Life, (The Omega Suites) Ellipsis Series, Volume Three, Ffotogallery, Stoke-on-Trent, UK<\/span>
\n2003<\/span>
\nExh.-Cat.: Todesstrafe, Vergangenheit und Gegenwart, Historisches Museum Luzern, Switzerland<\/span>
\nExh.-Cat.: M_ARS, Kunst und Krieg, Neue Galerie Graz, Landesmuseum Joaneum, Austria<\/span>
\nMackenzie, Michael: Embleme des Heilens., (dt.\/engl.) in: Water Rites, Susanne Breidenbach (Hg.), Galerie m Bochum Fotografie und Steidl Verlag, G\u00f6ttingen, Germany<\/span>
\nRegener, Susanne: Orte ohne Menschen – Menschen ohne Orte. Fotografien von Lucinda Devlin und Peter Hendricks, (dt.\/engl.) Exh.-cat.: Darmst\u00e4dter Sezession, Mathildenh\u00f6he, Darmstadt, Germany><\/span>
\n2002<\/span>
\nExh.-Cat.: The Culture of Violence, University Gallery, University of Massachusetts, Amherst, MA<\/span>
\nExh.-Cat.: Pleasure Ground, 25th Biennale Sao Paolo, Brazil<\/span>
\nExh.-Cat.: Power, Casino Luxemburg, Forum d’art contemporain, Luxemburg<\/span>
\nExh.-Cat.: AUBES R\u00eaveries au bord de Victor Hugo, Maison de Victor Hugo, Paris, France<\/span>
\nExh.-Cat.: GewaltBilder – Gewalt in der Gegenwartskunst, Museum Bellerive, Zurich, Switzerland<\/span>
\nPlath, Carina: formal social, und<\/span>
\nBeausse, Pascal: Falsche Journalisten, Ausst.-Kat.: Kunstverein M\u00fcnster, Germany Exh.-Cat.: Encontros da Imagem, Braga, Portugal<\/span>
\nSchliebe, Carmen: Krokodil und Schwein, Fotosafari in der Gro\u00dfstadt, Exh.-Cat.: Kunstsammlungen Cottbus<\/span>
\nMackenzie, Michael: Lucinda Devlins Transformed World, Exh.-Folder: Pleasure Ground, Corporal Arenas, The Omega Suites, Indianapolis Museum of Art, Indianapolis, IN<\/span>
\nExh.-Folder: Servon, Jody; Canthal, Sybille: Excess, Palm Beach Institute of Contemporary Art, Lake Worth,, FL, September\/November<\/span>
\nArbaizar, Philippe: L’art de la description, in: Exh.-cat.: Pleasure Ground, Bibliotheque National, Paris, France<\/span>
\n2001<\/span>
\nGraeve, Inka: The Omega Suites, Exh.-cat.: Plateau of Mankind, (iatl.\/engl.) 49thVenice Biennale, Venice, Italy<\/span>
\nHenry, Patrick: In A Lonely Place, Ausst.-Kat., National Museum of Photography, Film & Television, Bradford, Gro\u00dfbritanien<\/span>
\nThe Omega Suites, STERN Magazin, Nr. 19, Hamburg, Deutschland, 3. Mai<\/span>
\nExh.-Cat.: Art and Wellbeing – The Aesthetics of Recreation, Kunsthaus Meran – Merano Art, Italien<\/span>
\nLiebmann, Lisa: The Best of 2001, Art Forum, NY, December<\/span>
\nAmy, Michael: The Omega Suites, Ausst.-Folder: Gallery of Art, Johnson County Community College, Kansas City, MO<\/span>
\n2000<\/span>
\nVignold, Michael: K\u00fcnstliche H\u00f6llen, Exh.-cat.: Katastrophen und Desaster – Das Jahrhundert am Ende, Museum Folkwang Essen, Germany<\/span>
\nBreidenbach, Susanne (Hg.): The Omega Suites, Text: Barbara Rose: Clean Death, (dt.\/engl.), m Fotografie, Bochum und Steidl Verlag, G\u00f6ttingen, Germany<\/span>
\n1999<\/span>
\nZiegler, Ulf Erdmann: The Omega Suites: Mit dem T\u00f6ten zu leben, in: Fotografische Werke, DuMont, K\u00f6ln, Germany, also in:<\/span>
\nExh.-Cat.: Lucinda Devlin, Andreas Gursky, Candida H\u00f6fer, Kunsthaus Bregenz, \u00d6sterreich<\/span>
\n1998<\/span>
\nDevlin, Lucinda: The Omega Suites, Die Zeit Magazin, Hamburg, Germany, Nr. 16, 8. April<\/span>
\n1996<\/span>
\nExh.-Cat.: Discipline and Photography, The Peace Museum, Chicago, IL<\/span>
\nExh.-Cat.: Macht\/OnMacht, Internationaal Cultureel Centrum, Antwerpen, Belgium<\/span>
\n1995<\/span>
\nExh.-Cat.: META\/PHYSICS: Crossing Boundaries in Contemporary Photography, DePree Art Center and Gallery, Holland, MI<\/span>
\nFestival cat.: fotofeis, International Festival of Photography in Scotland, Aberdeen, Scottland, October<\/span>
\n1993<\/span>
\nDer Spiegel: Artikel mit Abbildungen \u201cThe Omega Suites\u201c, Hamburg, Germany<\/span>
\nSoe, Valerie: Urban Outfitters and Gallery Gun Control, Afterimage, Rochester, NY, February<\/span>
\n1992<\/span>
\nMurder As Phenomena, Camerawork, San Francisco, CA, Autumn Bd. 19, Nr. 2<\/span>
\nExh.-Cat.: The Omega Suites, Nr. 29, Menschel Gallery, Syracuse, NY<\/span>
\n1990<\/span>
\nNature vs Human Nature, Views, TPW, Toronto, Kanada, February Bd. 7, Nr. 1<\/span>
\n1987<\/span>
\nExh.-Cat.: American Color, New Mexico State University, Las Cruces, NM<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Biografie von Lucinda Devlin * 1947 in Ann Arbor, MI Lebt und arbeitet in Greensboro, NC         […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_vp_format_video_url":"","_vp_image_focal_point":[],"footnotes":""},"class_list":["post-235","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/dev.m-bochum.de\/index.php\/wp-json\/wp\/v2\/pages\/235","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dev.m-bochum.de\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/dev.m-bochum.de\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/dev.m-bochum.de\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dev.m-bochum.de\/index.php\/wp-json\/wp\/v2\/comments?post=235"}],"version-history":[{"count":9,"href":"https:\/\/dev.m-bochum.de\/index.php\/wp-json\/wp\/v2\/pages\/235\/revisions"}],"predecessor-version":[{"id":423,"href":"https:\/\/dev.m-bochum.de\/index.php\/wp-json\/wp\/v2\/pages\/235\/revisions\/423"}],"wp:attachment":[{"href":"https:\/\/dev.m-bochum.de\/index.php\/wp-json\/wp\/v2\/media?parent=235"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}