{"id":424,"date":"2024-07-03T15:18:08","date_gmt":"2024-07-03T15:18:08","guid":{"rendered":"https:\/\/dev.m-bochum.de\/?page_id=424"},"modified":"2024-07-03T15:38:54","modified_gmt":"2024-07-03T15:38:54","slug":"melanie-manchot-bio","status":"publish","type":"page","link":"https:\/\/dev.m-bochum.de\/index.php\/melanie-manchot-bio\/","title":{"rendered":"Melanie Manchot Bio"},"content":{"rendered":"
\"\"Biografie von Melanie Manchot<\/span><\/b><\/div>\n

* 1966 in Witten, lebt und arbeitet in London<\/span><\/p>\n

Melanie Manchots Website<\/a><\/span>
\nInstagram: @melaniemanchot<\/a><\/span><\/p>\n

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1988-89 New York University, New York<\/span>
\n1989-90 City University, London, England, MA in Arts & Education<\/span>
\n1990-92 Royal College of Art, London, England, MFA in Photography<\/span><\/p>\n

Melanie Manchot studierte an der New York University sowie am Royal College of Art in London. Sie arbeitet mit Fotografie, Film, Video und Ton. Partizipatorische und kollaborative Strategien sind zentrale Elemente ihrer k\u00fcnstlerischen Praxis, die sich oft an Schnittstellen von dokumentarischen und inszenierten Formen bewegt.<\/span>
\nEinzelausstellungen u.a. am MAC VAL Museum f\u00fcr Gegenwartskunst, Paris, in der Whitechapel Gallery, London, sowie im Kunsthaus Pasquart Biel. Ihre Arbeiten sind in zahlreichen internationalen Sammlungen vertreten.<\/span><\/p>\n

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Stipendien & Preise<\/b><\/span>
\n2020<\/span>
\nRPS Award and Honorary Fellowship<\/a><\/span>
\n2017<\/span>
\nShortlist des 10. Film London Jarman Award<\/a><\/span>
\n2012<\/span>
\nOriel Davies Price, Oriel Davies Open, Wales <\/a>(cat)<\/span>
\n2005<\/span>
\nBritish Council Travel Grant <\/span>
\n2004 <\/span>
\nArts Coucil of England Grant<\/span>
\n2002<\/span>
\nWelde Kunstpreis, Germany<\/span>
\nSt James Group Photography Prize (nomination)<\/span>
\n2001<\/span>
\nifa, Institut fuer Auslandsbeziehungen<\/span>
\n1999<\/span>
\nBritish Council Award (Grants to Artists Scheme)<\/span>
\nJohn Kobal Photographic Portrait Award <\/span>
\n1997<\/span>
\nArts for everyone Award, through the Arts Council of England<\/span>
\n1992<\/span>
\nChesterton Award <\/span>
\nFuji Award<\/span><\/p>\n

 <\/p>\n

\u00d6ffentliche Sammlungen<\/b><\/span>
\nStiftung Hamburger Kunstsammlungen<\/span>
\nSammlung Deutscher Bundestag<\/span>
\nSammlung Skulpturenmuseum Glaskasten Marl<\/span>
\nArts Council Collection, England<\/span>
\nElizabeth A. Sackler Center for Feminist Art Collection, Brooklyn Museum, New York <\/span>
\nBucknell Art Gallery Collection, USA<\/span>
\nDG Bank Collection, Germany<\/span>
\nJoel & Sherry Mallin Collection, USA<\/span>
\nMead Collection, Warwickshire University , England<\/span>
\nUnilever Collection, England<\/span>
\nSt\u00e4dtische Galerie Wolfsburg<\/span>
\nPortland Art Museum, Portland, Oregon, USA<\/span>
\nFMAC (Fonds municipal d\u2019art contemporain), Paris<\/span>
\nNational Skills Academy, Essex, UK<\/span><\/p>\n

 <\/p>\n

Lehrauftr\u00e4ge
\n<\/b><\/span>Gastdozentin an den folgenden ausgew\u00e4hlten Institutionen:<\/span>
\n1995-2006<\/span>
\nGoldsmith College, University of London, England <\/span>
\nNew York University, New York, USA<\/span>
\nLondon College of Printing, England (MA & BA)<\/span>
\nRoyal College of Art, London, England<\/span>
\nCentral Saints Martin College of Art & Design,London, England<\/span>
\nMiddlesex University, London, England<\/span>
\nThe Architectural Association, London, England<\/span>
\nWestminster University, London, England<\/span>
\nKent Institute of Art and Design, England<\/span>
\n1993-1997<\/span>
\nLecturer Bournemouth & Poole College of Art and Design, England<\/span><\/p>\n

 <\/p>\n

Ausgew\u00e4hlte Einzelausstellungen<\/b><\/span>
\n2024<\/i><\/span>
\nFilmvorf\u00fchrung: STEPHEN<\/i>, The Exchange, Penzance, Cornwall<\/span>
\nFilmpremiere: STEPHEN<\/i>, Barbican Cinema, London<\/span>
\n2023<\/i><\/span>
\nDancing is the best revenge<\/i><\/a>, in Kooperation mit <\/i>Urbane K\u00fcnste Ruhr<\/i><\/a>, M\u00e4rkisches Museum, Witten<\/i><\/span>
\nLiquid Skin<\/i><\/a>, ein Projekt von <\/i>Urbane K\u00fcnste Ruhr<\/i><\/a>, Werk’Stadt, Witten<\/i><\/span>
\n2020<\/i><\/span>
\nsnowdance<\/i><\/a>, Kunstraum Kreuzlingen, Schweiz<\/i><\/span>
\n2019<\/i><\/span>
\nMountainworks (Montafon)<\/i><\/a>, Inn situ, Innsbruck<\/span>
\nOpen Stage. Back Stage<\/i><\/a>, Kunsthaus Centre d’art Pasquart, Biel, Switzerland<\/span>
\n2018<\/span>
\nDance (All Night, Paris)<\/i> Weltkunstzimmer, D\u00fcsseldorf, im Rahmen der internationalen tanzmesse nrw<\/span>
\nOpen Ended Now<\/i><\/a>, MAC VAL, Mus\u00e9e d’Art Contemporain du Val-de-Marne, Vitry-sur-Seine<\/span>
\n2017<\/span>
\nDance (All Night, London)<\/i><\/a>, Art Night 2017, Exchange Square, Broadgate, London<\/span>
\n11\/18<\/i><\/a>, Galerie m Bochum<\/span>
\n2016<\/span>
\nPeople Places Propositions<\/i>, Towner Art Gallery, Eastbourne<\/span>
\nDance (All Night, Paris)<\/i>, Orangerie Herrenhausen, Hannover (KunstFestSpiele Herrenhausen)<\/span>
\n2015<\/span>
\nTwelve<\/i>, Galerie m Bochum<\/a><\/span>
\nTwelve<\/i>, Castlefield Gallery, Manchester<\/span>
\nTwelve<\/i>, Peckham Platform, London<\/span>
\nThe Gift<\/i><\/a>, Bloomberg SPACE, London<\/span>
\nfig-2 | 37\/50<\/i>, The Studio, ICA, The Mall, London<\/span>
\n2014<\/span>
\nTracer<\/i>, Oriel Davies Gallery<\/a>, Newtown, Wales<\/span>
\n2013<\/span>
\nNational Skills Academy, Essex, UK<\/span>
\nTracer<\/i>, Woon Tai Jee Studio, BALTIC 39, Newcastle<\/span>
\n2011<\/span>
\nGathering<\/i>, Fabrica, Brighton, UK<\/span>
\nLeap after The Great Ecstasy<\/a><\/i>, Galerie m Bochum<\/span>
\n2010<\/span>
\nCelebration (Cyprus Street)<\/i>, The Whitechapel Gallery, London<\/span>
\n2009<\/span>
\nKISS<\/i>, Th\u00e9\u00e2tre du Ch\u00e2telet, Paris (Nuit Blanche)<\/span>
\n2008 <\/span>
\nMay happyness knock you over<\/i>, Brighton Museum & Fine Art Galleries, Brighton East Sussex, UK<\/span>
\nMenschen und Orte,<\/i> Kunstverein Konstanz, Germany<\/span>
\n2007\/2008<\/span>
\nShave<\/a>, Biennale Venedig<\/i>, New Forest Pavillion, Palazzo Zenobio, Italien<\/span>
\n2007<\/span>
\nShave<\/a>, Galerie m Bochum, Germany<\/span>
\nSecurity, Goff + Rosenthal, New York<\/span>
\n2006<\/span>
\nSecurity, FRED, London, England<\/span>
\nMoscow Girls und andere Geschichten, Haus am Waldsee, Berlin, Germany<\/span>
\nSecurity, Lolita, Madrid, Spain<\/span>
\n2005<\/span>
\nStories from Russia, The Photographers Gallery, London, England<\/span>
\n2004<\/span>
\nMoscow Girls, Rhodes + Mann Gallery, London, England<\/span>
\n2003<\/span>
\nLove is a stranger, Leicester City Art Gallery, England<\/span>
\nPhoenix Art Leicester, Public Video projection \u201cFor a moment a stage\u201d, England<\/span>
\nMelanie Manchot, The Tea Building, off site Rhodes + Mann project, London, England<\/span>
\n2002<\/span>
\nCornerhouse Manchester, England<\/span>
\nPortland Institute for Contemporary Art, Portland, Oregon, USA<\/span>
\nStaedtische Galerie Wolfsburg, Wolfsburg, Germany<\/span>
\nNorwich Arts Center, Norwich, England<\/span>
\nFocalpoint Gallery, Southend, England<\/span>
\nUniversity of Illinois Art Gallery, USA<\/span>
\n2001<\/span>
\njust one kiss?, Rhodes + Mann Gallery, London, England<\/span>
\nArt Sway, New Forest, England<\/span>
\nFotogalerie in der Feuerwache, Mannheim, Germany<\/span>
\n2000<\/span>
\nIntimate Distance, Ffotogallery, Cardiff, England<\/span>
\n1999<\/span>
\nlook at you loving me, Poster Project, Bucknell University, Pennsylvania, USA<\/span>
\ntravers, Galerie Siegert, Basel, Switzerland<\/span>
\nGalerie Fiebig, Berlin, Germany<\/span>
\n1998<\/span>
\nOUT, Poster Project, South Kensington, London, England<\/span>
\nlifelines, The Bracknell Art Gallery, South Hill Park & Bonington Galleries, Nottingham <\/span>
\nlifelines, Galerie Siegert, Basel, Switzerland<\/span>
\nBehind the Screen, Public Art Project, York, England<\/span>
\nlook at you loving me, Zelda Cheatle Gallery, London, England (plus book launch)<\/span>
\n1997<\/span>
\nMater et Materia, Hartlepool Art Gallery, England<\/span>
\nlifelines, The Royal Photographic Society, Bath, England<\/span>
\n1996<\/span>
\nWell Cured, The Cut Gallery, London, England<\/span>
\n1995<\/span>
\nPosta Restante, Arquivo Fotografico, Lisbon, Portugal<\/span>
\n1994<\/span>
\nGalerie Augustus, Berlin, Germany<\/span>
\nCut Gallery, London, England<\/span>
\nWatershed Media Centre, Bristol, England<\/span>
\n1993<\/span>
\nKunsthaus Mettmann, Duesseldorf, Germany<\/span>
\nPhotofusion Gallery, London, England<\/span><\/p>\n

 <\/p>\n

Ausgew\u00e4hlte Gruppenausstellungen<\/b><\/span>
\n2023\/2024<\/span>
\nDie Stadt ist anderwo<\/i>, Museum unter Tage, Bochum<\/span>
\n2023<\/span>
\nB3 Biennale der Bewegten Bilder<\/i>, Frankfurt<\/span>
\nSlow Film Festival<\/i>, London<\/span>
\nSTEPHEN in: Scottish Mental Health Arts Festival<\/i>, Glasgow<\/span>
\nThe future has an orange background<\/i>, NotFor$ale, Spitalstra\u00dfe 18, Basel<\/span>
\n2021<\/span>
\nEntgrenzungen \u2013 von \u00f6ffentlichen und privaten Sph\u00e4ren<\/i>, Kallmann-Museum, Ismaning<\/span>
\nFemale Fame<\/i>, Skulpturenmuseum Glaskasten Marl<\/span>
\nGrenzf\u00e4lle des Raumes<\/i><\/a>, Galerie m<\/span>
\n2020<\/span>
\nHoneymoon<\/i>, Viborg Kunsthal<\/span>
\nFolklore<\/i>, Centre Pompidou, Metz<\/span>
\n2019<\/span>
\nMade in Marl<\/i>, Skulpturenmuseum Glaskasten Marl <\/span>
\nGalerie m | 3. Mai 1969 – 3. Mai 2019<\/a><\/i><\/span>
\n2017<\/span>
\nLe Baiser dans l’art de Rodin \u00e0 nos jours<\/i>, Musee des Beaux-Arts de Calais<\/span>
\nOut of Bounds<\/i>, Jarman Award Tour durch GB<\/span>
\nTransient Space<\/i>, Parafin, London<\/span>
\n2016-2017<\/span>
\nStandby<\/i>, Orangerie Schloss Rheda und Werkstatt Bleichh\u00e4uschen Steinweg, Rheda-Wiedenbr\u00fcck<\/span>
\n2016<\/span>
\nMarler Medienkunst-Preise 2016<\/i>, Skulpturenmuseum Glaskasten Marl<\/span>
\n2015<\/span>
\nTWELVE<\/i>, 68\u00b0 Festival del film Locarno<\/span>
\nFestival of the Unconscious<\/i>, Freud Museum London<\/span>
\nA Light shines in the Darkness<\/i>, Touring Exhibtion, Kirchen in England<\/span>
\nWork, Rest and Play. British Photography from 1960s to Today<\/i>, Touring Exhibition (OCT Loft, Shenzhen, China)<\/span>
\nWalking Sculpture 1967-2015<\/i>, deCordova. Sculpture Park and Museum, Lincoln, MA<\/span>
\n2014<\/span>
\nVideo Studio V: The Rhythm is … Zeitliche Muster im Bewegten Bild<\/i>, Museum Folkwang, Essen<\/span>
\n\/seconds<\/i>, Sharjah Art Foundation, Sharjah<\/span>
\nWalk On. From Richard Long to Janet Cardiff – 40 years of Art Walking<\/i>, Plymouth Arts Centre<\/span>
\nParis champ & hors champ. Photographies et vid\u00e9os contemporaines<\/i>, Galerie des biblioth\u00e8ques de la Ville de Paris<\/span>
\nWhen the grid goes soft<\/i>, MOTInternational, London<\/span>
\nUHF 42,<\/i> Wattan.TV, Ramallah, Pal\u00e4stina<\/span>
\nin: „It’s all about the river“<\/i>, Cargreen, Landulph Memorial Hall<\/span>
\n2013<\/span>
\nVideonale.14 Festival For Contemporary Video Art, Auditorium im Kunstmuseum Bonn <\/span>
\n2012<\/span>
\nToronto Photography Festival<\/a> <\/i><\/span>
\nSituation(s) [48\u00b047\u201934\u2019\u2019 N \/ 2\u00b023\u201914\u2019\u2019 E]<\/i>, Mus\u00e9e Mac\/Val, Paris<\/a><\/span>
\nOriel Davies Open<\/i><\/a><\/span>
\nPlay it again, Sam<\/i><\/a>, Galerie m Bochum<\/span>
\n2011<\/span>
\nSex Drive<\/i>, Haverford College, Pennsylvania<\/span>
\n13. Videonale<\/i>, Kunstmuseum Bonn<\/span>
\nVideonale<\/i>, BWA Contemporary Art Gallery, Katowice, Polen<\/span>
\nVideonale 13<\/i>, GoMA, Glasgow Centre of Contemporary Art, Glasgow, UK<\/span>
\nNuit Blanche<\/i>, Paris<\/span>
\nNo Neutral Ground<\/i>, Deutsche Botschaft, London, UK<\/span>
\nWunder<\/i>, Deichtorhallen, Hamburg<\/span>
\n2010<\/span>
\nJourneys with no return<\/i>, The A Foundation, London, England<\/span>
\nPeeping Tom<\/i>, Vegas Gallery, London, England<\/span>
\nDo you see me?\/Siehst Du mich?<\/a><\/i>, Galerie m Bochum,<\/span>
\nDie Ausstellung ist Bestandteil von next 1 \u2013 discussing photography<\/a>, ein Projekt der Kulturhauptstadt Europas RUHR.2010<\/span>
\nJourneys with no return<\/i>, Galerie Nord, Kunstverein Tiergarten zur 6. Biennale, Berlin<\/span>
\nFight<\/i> und Spat<\/i>: Impakt Festival<\/a> 2010 Matrix City, Utrecht<\/span>
\n2009<\/span>
\nDesaturated – British Film and Video Art<\/i>, New Centre for Arts and Culture, Bangkok<\/span>
\nInsomniac Promenades<\/i>, Petach Tikva Museum of Contemporary Art, Israel<\/span>
\nVollendete Zukunft<\/i>, Galerie Parterre<\/a>, Berlin<\/span>
\nThe Kiss of a Lifetime<\/i>, Roque Project Space, Manchester<\/span>
\nNuit blanche<\/i>, Paris<\/span>
\nThessaloniki Biennale 2: Art in Times of Uncertainly<\/i>, Thessaloniki<\/span>
\nZeitgen\u00f6ssische Kunst aus Deutschland und China<\/i>, Wuhan Museum of Fine Arts, VR China<\/span>
\nJourney with no return<\/i>, Akbank, Istanbul, Turkey<\/span>
\n2008<\/span>
\nGleichheit – R\u00f3wnosc<\/i>, Galeria Programm, Warschau, Polen<\/span>
\nPromenades Insomniaques – Schlafen und Tr\u00e4umen in zeitgen\u00f6ssischer Kunst<\/i>, Passage de Retz, Paris<\/span>
\n2007<\/span>
\nGlobal Feminisms <\/i>, Brooklyn Art Museum, New York<\/span>
\nMy Vision<\/i>, Reiss Engelhorn Museum, Mannheim<\/span>
\nEine Frage (nach) der Geste<\/i>, Fotohof, Salzburg<\/span>
\nShave<\/i><\/a>, Biennale Venedig, New Forest Pavillon, Italien<\/span>
\n2006<\/span>
\nPortraits – The view behind the mask, Galerie Anita Beckers, Frankfurt, Germany<\/span>
\nTerritories of Freedom, Moscow Centre For the Arts, Russia<\/span>
\n1+1=3: Collaborations in Recent British Portraiture, Fotofreo Festival of Photography, Fremantle, Australia<\/span>
\nEuropean Media Arts Festival, Kunsthalle Osnabruck, Germany<\/span>
\nAnstoss Berlin – Kunst macht Welt<\/i>, Haus am Waldsee<\/a>, Berlin<\/span>
\nSummertime<\/a><\/i>, Galerie m Bochum, Germany<\/span>
\nAnimalcity, Kunstverein Wolfsburg, Wolfsburg, Germany<\/span>
\nBulgaria Bienale, Shumen, Bulgaria<\/span>
\nRohkunstbau: Three Colours-Blue<\/i>, Schloss Gross Leuthen, Brandenburg, Germany<\/span>
\nUrp! Dieci posizioni tra pubblico e privato<\/i><\/a>, Assessorato alla Pubblica Istruzione della Regione, Kuratiert von Giuliana Altea und Mark Gisbourne, Cagliardi, Sardinien, Italien<\/span>
\n2005<\/span>
\nFirst Moscow Biennale, Moscow Museum of Modern Art, Moscow, Russia<\/span>
\nArt Digital. M’Ars Gallery, Mosco, Russia<\/span>
\nDetroit International Film + Video Festival, The Museum of New Art, Detroit, USA<\/span>
\nAfter Dark. Film + Video Festival, Custard Factory, Birmingham<\/span>
\nAppearance, Whitehall Waterfront, Leeds, England<\/span>
\nAnonyme Portraits, Fotogalerie Wien, Vienna, Austria<\/span>
\n2004<\/span>
\nNaked, The Academy of the West of England, Bristol, England<\/span>
\nmoving images, tank.tv, Institute of Contemporary Art, London, England<\/span>
\nArte et Naturaleza, Jardin Botanico, Bogota, Colombia<\/span>
\n2003<\/span>
\nInfluence, Anxiety and Gratitude, MIT List Visual Art Centre, Boston, USA<\/span>
\nFurtive Gaze, Museum of Contemporary Photography, Chicago, USA<\/span>
\nBid, Portland Institute for Contemporary Art, Portland, Oregon, USA<\/span>
\nOf Bodies and other Things. German Photography in the 20th Century, City Gallery, Prague, Chech Republic. <\/span>
\nTouring to Deutsches Museum, Berlin\/ Museum<\/span>
\nBochum, Germany\/House of Photography, Moscow, Russia<\/span>
\nTrigger Happy, Whitechapel Art Gallery, London, England<\/span>
\nEast Wing, Courtauld Institute, London, England<\/span>
\n2002<\/span>
\nIntimacy, The Russel Coates Museum & Art Gallery, Bournmouth, England<\/span>
\nOdalisque, Mafuji Gallery, London, England<\/span>
\nWelde Kunstpreis, Kunstverein Schwetzingen, Germany<\/span>
\nFrauen, Fotogalerie Wien, Austria<\/span>
\nSt James Group Ltd Photography Prize, Flowers East Gallery, London<\/span>
\nOver Time, Rhodes + Mann Gallery, London <\/span>
\n2001<\/span>
\nSomething happened, Hasselblad Centre, Goteburg, Sweden<\/span>
\nDon’t go to work, Rhodes + Mann Gallery, London, England<\/span>
\nLove me\/Love me, Galerie La Peripherie, Paris, France<\/span>
\nVideo Umbrella, Shrewsbury Museum and Art Gallery, England<\/span>
\nAdorn\/Equip, Leicester City Art Gallery + Oriel 31, Wales + Bradford Industrial Museum + <\/span>
\nRugby Museum & Art Gallery + London Institute Gallery<\/span>
\n2000<\/span>
\nSpaete Freiheiten, Schweizerisches Landesmuseum, Zurich, Switzerland<\/span>
\nThe Insanity Benefit, Vilma Gold, London, England<\/span>
\nMommy Dearest, Gimpel Fils, London, England<\/span>
\nFusion, Rhodes + Mann Gallery, London, England<\/span>
\nCrossing Place, Bucknell Art Gallery, Lewisburg, Pennsylvania, USA <\/span>
\n1998<\/span>
\nThe Whitechapel Open, London, England<\/span>
\nThe Ugly Show, Leeds Metropolitan Museum + touring<\/span>
\nThe Century of the Body, Culturgest, Lisbon, Portugal & Musee de l‘ Elysee, Lausanne, Switzerland<\/span>
\nSpaete Freiheiten, Historisches Museum Bielefeld, Germany<\/span>
\nMuseum der Arbeit, Hamburg & Siemens Kulturforum, Muenchen, Germany <\/span>
\n1997<\/span>
\nCaren Golden Gallery, New York, USA<\/span>
\n1996<\/span>
\nMauvais Genre, Mais de Reims, Reims, France<\/span>
\nJohn Kobal Photographic Portrait Award, National Portrait Gallery, Edinburgh + tour<\/span>
\nWe don’t talk about it, Zelda Cheatle Gallery, London, England<\/span>
\n1995<\/span>
\nOutpost, Venice Biennale, Venice, Italy<\/span>
\nJohn Kobal Photographic Portrait Award, National Gallery, London, England<\/span>
\n1994<\/span>
\nThe South Bank Photo Show, Royal Festival Hall, London, England<\/span>
\n1992<\/span>
\nRoyal College of Art, London, England<\/span>
\n1991<\/span>
\nTreading a fine line, Zelda Cheatle Gallery, London, England (plus touring)<\/span><\/p>\n

Artikel\/Vortr\u00e4ge\/Konferenzen<\/b><\/span>
\n2008<\/span>
\nLondon and the City as a Stage<\/i>, GSK Contemporary, London 2006<\/span>
\nPhotography Now: The Portait, Tate Modern <\/span>
\n2005<\/span>
\nPerformance, Gender + Identity, Tate Modern Symposium<\/span>
\nPhotography in the 90s, Tate Britain Conference<\/span>
\n2004 <\/span>
\nThe Oxford Brookes Photography Colloquium, paper on performative portraiture<\/span>
\nICA, What is beauty, artists presentation and panel discussion with Alain de Botton, Howard Caygil and John Armstrong<\/span><\/p>\n

 <\/p>\n

Publikationen<\/b><\/span>
\nDancing is the best revenge, M\u00e4rkisches Museum Witten, 2023. Ausstellungsrezension von Claudia Posca in KUNSTFORUM International (290), K\u00f6ln 2023<\/span>
\nOpen Ended Now, MAC VAL, Ausstellungskatalog 2018<\/span>
\n100, Hrsg.: Bergbahnen Engelberg Titlis, Edition: 5000 dt.\/2.000 engl.<\/span>
\nMoscow Girls + Other Stories, Haus am Waldsee,<\/span>
\nexhibition catalogue, Berlin, Germany, 2006.<\/span>
\nArt Photography Now, Susan Bright, Thames + Hudson, England, 2005.<\/span>
\nThe Portrait Now, Sandy Nairne, National Portrait Gallery Publications,<\/span>
\nLondon, England, 2006.<\/span>
\nThe Photograph as contemporary Art, Charlotte Cotton,<\/span>
\nThames + Hudson, England, 2004.<\/span>
\nFive, The Labyrinth of the Gaze, edited by Gavin Turk, England, 2004.<\/span>
\nMiser Now, inaugural issue, Keith Talent Gallery, England, 2004.<\/span>
\nVon Koerpern und anderen Dingen. Deutsche Fotografie im 20. Jahrhunder,<\/span>
\nKlaus Honnef & Gabriele Honnef-Harling, Edition Braus, 2003.<\/span>
\nDer imperfekte Mensch, Boehlau Verlag, Edited by Petra Lutz, Thomas Macho,<\/span>
\nGisela Staupe, Heike Zirden, Germany 2003.<\/span>
\nFor a moment, a stage, Public Art Leicester, with a text by Chris Townsend, 2003.<\/span>
\nBreast, Maura Spiegel & Lithe Sebesta, Workman Publishing Company, USA, 2002.<\/span>
\nFrauen, Fotogalerie Wien, Fotobuch Nr. 29\/2002.<\/span>
\nPrestel Lexikon der Fotografen, Reinhold Misselbeck,<\/span>
\nPrestel Verlag, Germany, 2002.<\/span>
\nLove is a stranger, Monograph, Prestel Verlag, Muenchen, Germany, 2001. <\/span>
\nThe Century of the Body, William Ewing, Thames & Hudson, London 2000.<\/span>
\nIst die Photographie am Ende, mdv Mitteldeutscher Verlag 2000.<\/span>
\nThe Saatchi Gift, Hayward Gallery Publishing, 2000.<\/span>
\nSpaete Freiheiten, Prestel Verlag, Muenchen, Germany, 1999. <\/span>
\nLove and Desire, William Ewing, Thames & Hudson, England, 1999.<\/span>
\nThe Saatchi Decade, Young British Art from the Saatchi Collection, 1999.<\/span>
\nPublic Sightings, Cornerhouse Publications, England, 1999.<\/span>
\nlook at you loving me, Monograph, Friedrich Reinhardt Verlag,<\/span>
\nBasel, Switzerland, 1998.<\/span>
\nSeeing Ourselves, Women Self portraiture, Franzes Borzello,<\/span>
\nThames & Hudson, 1998.<\/span>
\nVile Bodies, Prestel Verlag, Muenchen, Germany, 1998.<\/span><\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Biografie von Melanie Manchot * 1966 in Witten, lebt und arbeitet in London Melanie Manchots Website Instagram: @melaniemanchot     […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_vp_format_video_url":"","_vp_image_focal_point":[],"footnotes":""},"class_list":["post-424","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/dev.m-bochum.de\/index.php\/wp-json\/wp\/v2\/pages\/424","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dev.m-bochum.de\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/dev.m-bochum.de\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/dev.m-bochum.de\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dev.m-bochum.de\/index.php\/wp-json\/wp\/v2\/comments?post=424"}],"version-history":[{"count":7,"href":"https:\/\/dev.m-bochum.de\/index.php\/wp-json\/wp\/v2\/pages\/424\/revisions"}],"predecessor-version":[{"id":434,"href":"https:\/\/dev.m-bochum.de\/index.php\/wp-json\/wp\/v2\/pages\/424\/revisions\/434"}],"wp:attachment":[{"href":"https:\/\/dev.m-bochum.de\/index.php\/wp-json\/wp\/v2\/media?parent=424"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}