{"id":473,"date":"2024-07-04T12:22:27","date_gmt":"2024-07-04T12:22:27","guid":{"rendered":"https:\/\/dev.m-bochum.de\/?page_id=473"},"modified":"2024-07-04T12:27:47","modified_gmt":"2024-07-04T12:27:47","slug":"lena-von-goedele-bio","status":"publish","type":"page","link":"https:\/\/dev.m-bochum.de\/index.php\/lena-von-goedele-bio\/","title":{"rendered":"Lena von Goedeke Bio"},"content":{"rendered":"
\"\"Biografie von Lena von Goedeke<\/b><\/span><\/div>\n

*1983 in Duisburg<\/span>
\nlebt und arbeitet in Berlin<\/span><\/p>\n

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Webseite <\/a>von Lena von Goedeke<\/span>
\nInstagram: @lenavongoedeke<\/a><\/span><\/p>\n

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2002-03 Studium der Kunstgeschichte, Westf\u00e4lische Wilhelms-Universit\u00e4t M\u00fcnster<\/span>
\n2005-11 Studium der Freien Kunst an der Kunstakademie M\u00fcnster bei Prof. Michael van Ofen<\/span>
\n2009 Studium der Freien Kunst an der Kunstakademie Trondheim, Norwegen<\/span>
\n2010 Ernennung zur Meistersch\u00fclerin von Prof. Michael van Ofen<\/span>
\n2011-13 Studium der Freien Kunst an der Kunstakademie D\u00fcsseldorf bei Prof.in Lucy McKenzie<\/span>
\n2013 Examen mit Akademiebrief an der Kunstakademie D\u00fcsseldorf<\/span>
\nseit 2023 K\u00fcnstlerische Leitung des Satellite Instituts<\/a> f\u00fcr Wissenschaft, Kunst und Technologie in Spitzbergen, Norwegen<\/span><\/p>\n

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Einzel- und Doppelausstellungen<\/b><\/span>
\n2023<\/span>
\nPrecarious Mountains<\/i>, Kunsthalle Recklinghausen<\/span>
\n2022<\/span>
\nKryal. Vom Verschwinden des Eises<\/i>, Otto Modersohn Museum, Tecklenburg<\/span>
\n2021<\/span>
\nRESET. Krise \/\/ Chance<\/i>, Kunstmuseum Ahlen<\/span>
\nSoil’s Song<\/i>, Kallmann Museum, Ismaning<\/span>
\n2020<\/span>
\nStasis<\/i><\/a>, Galerie m, Bochum<\/span>
\n2019<\/span>
\nFull Fathom Five<\/i>, Dortmunder U<\/span>
\nMemory Leaking<\/i>, Kunstverein Recklinghausen<\/span>
\nLuv und Lee. Lena von Goedeke und Sophia Pomp\u00e9ry<\/i>, Kunstraum hase29, Osnabr\u00fcck<\/span>
\nNormcore. Mit Sascha Appelhoff. <\/i>Transformer, Washington D.C. USA<\/span>
\n2018<\/span>
\nWHITE NOISE<\/i>, KunstRaum Duisburg<\/span>
\nRaw Feels<\/i><\/a>, Galerie m<\/span>
\nOrangerie Schloss Rheda<\/span>
\n2017<\/span>
\nStretch. Lena von Goedeke & Sascha Appelhoff<\/i>, HilbertRaum, Berlin<\/span>
\n2016<\/span>
\nLametta. Lena von Goedeke & Sascha Appelhoff<\/i>, Kunstverein Bellevue-Saal, Wiesbaden<\/span>
\nThe Invisible Hour<\/i>, Club der polnischen Versager, Berlin<\/span>
\nWhat happens in vagueness, stays in vagueness<\/i>, Kunstverein Bochum<\/span>
\n2015<\/span>
\nConditio sine qua non<\/i>, 48h Neuk\u00f6lln \/ Jonasstrasse 23, Berlin<\/span>
\n2014<\/span>
\nSPARRING. Lena von Goedeke & Sascha Appelhoff<\/i>, Kunstverein Siegen<\/span>
\nOn Sight<\/i>, St\u00e4dtische Galerie Altena<\/span>
\n2013<\/span>
\nQuasimodo<\/i>, Evelyn Drewes Galerie, Berlin<\/span>
\n2012<\/span>
\nMoving clouds to get a clearer view<\/i>, Kunstverein Greven<\/span><\/p>\n

 <\/p>\n

Gruppenausstellungen<\/b><\/span>
\n2023<\/span>
\nThe Notion of Silence<\/i>, Kunsthaus [Projektraum] Erfurt<\/span>
\nNaturen<\/i><\/a>, Galerie m, Bochum<\/span>
\nErde. Verwobenes Leben<\/i>, Kunststiftung DZ Bank, Frankfurt am Main<\/span>
\nPrecarious Mountains – Eis und Kohle. Zeitgen\u00f6ssische Positionen aus Spitzbergen<\/i>, Kunsthalle Recklinghausen<\/span>
\n2022<\/span>
\nin: Antipoden<\/i><\/a>, Galerie m, Bochum<\/span>
\nFast Nichts<\/i>, Hase 29 – Gesellschaft f\u00fcr zeitgen\u00f6ssische Kunst Osnabr\u00fcck<\/span>
\nFragile. Alles aus Glas! Grenzbereiche des Skulpturen<\/i>, Kunstmuseum Ahlen<\/span>
\nTerra incognita – Fragen an die Erde<\/i>, Lantz’scher Skulpturenpark 2022, D\u00fcsseldorf<\/span>
\n2021<\/span>
\nRESET – Krise \/\/ Chance<\/i>, Kunstmuseum Ahlen<\/span>
\nGrenzf\u00e4lle des Raumes<\/i><\/a>, Galerie m<\/span>
\n2020<\/span>
\nManifest<\/i>, Uferhallen Berlin<\/span>
\nDIE GROSSE<\/i>, Kunstpalast D\u00fcsseldorf<\/span>
\nWaterkant<\/i>, K\u00fcnstlerhaus D\u00fcsseldorf<\/span>
\nGlas und Beton. Manifestationes des Unm\u00f6glichen<\/i>, Marta Herford<\/span>
\nKaleidoscope. five ways to think about glass<\/i>, Kunstverein Neuk\u00f6lln<\/span>
\n2019<\/span>
\nGalerie m | 3. Mai 1969 – 3. Mai 2019<\/a><\/i><\/span>
\non paper – on line<\/i>, KunstRaum, Duisburg 2018<\/span>
\nThe foot feels the foot when it feels the ground<\/i>, Kunstverein Neuk\u00f6lln. Berlin<\/span>
\nSchnittstelle. Contemporary Cut Out trifft expressionistischen Scherenschnitt<\/i>, August Macke Haus, Bonn<\/span>
\nScharf geschnitten. Vom Scherenschnitt zum Papiercut<\/i>, Galerie Stihl, Waiblingen<\/span>
\n2017<\/span>
\nFemale Ejaculation Vol. 1<\/i>, Bar Babette, Berlin<\/span>
\nTriangulating Particulars<\/i>, HilbertRaum, Berlin<\/span>
\n2016<\/span>
\nProche Banlieue<\/i>, Studio Hochhaus, Berlin<\/span>
\nGeeinte Fragmente<\/i>, St. Joseph, M\u00fcnster<\/span>
\n2015<\/span>
\nKunstpreis Junger Westen. Auswahlausstellung<\/i> Kunsthalle Recklinghausen<\/span>
\nEs gibt keinen Neuschnee<\/i>, Hilbertraum, Berlin<\/span>
\nKunstpreis der Sparkassenstiftung. Auswahlausstellung<\/i>, Karlsruhe<\/span>
\n2014<\/span>
\nG\u00fcnter Drebusch Preis<\/i>, M\u00e4rkisches Museum Witten<\/span>
\nScale Small Scale<\/i>, raum 3.6., M\u00fcnster<\/span>
\n2013<\/span>
\nDaring, Darling!<\/i>, Sammlung Philara, D\u00fcsseldorf<\/span>
\nMondes Parallel\u00e8s<\/i>, Eglise St. Merri, Paris<\/span>
\n2012<\/span>
\nDirector\u00b4s choice<\/i>, Kunsthalle M\u00fcnster<\/span>
\nDEW21 Kunstpreis<\/i>, Museum f\u00fcr Kunst und Kulturgeschichte, Dortmund<\/span>
\nHamm Hier und Jetzt. Kunstpreis Hamm<\/i>, Gustav-L\u00fcbcke-Museum, Hamm<\/span><\/p>\n

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Preise und Stipendien<\/b><\/span>
\n2023 Jahresstipendium Billedkunstnernes Vederlagsfond (BKV)<\/span>
\n2023 Produktionsstipendium der Alexander Tutsek Stiftung, M\u00fcnchen<\/span>
\n2023 Jutta Cuny-Franz Memorial Award<\/span>
\n2022 VISIT-Stipendium der E.ON Stiftung<\/span>
\n2021 Jahresstipendium Stiftung Kunstfonds<\/span>
\n2020 Kallmann-Preis Ismaning<\/span>
\n2018 DEW Kunstpreis<\/span>
\n2018 Arctic Circle Residency<\/span>
\n2017 Ruhr Residence der Kunstvereine Ruhr<\/span>
\n2016 Katalogf\u00f6rderung der Stiftung Zukunft NRW<\/span>
\n2015 Projektf\u00f6rderung der Kunststiftung NRW<\/span>
\n2014 Jahresstipendium des Werkstatt Altena e.V.<\/span>
\n2013 Cit\u00e9 Internationale des Arts mit Appelhoff\/von Goedeke, Paris<\/span>
\n2013 Kunstpreis der Stadt Hamm<\/span>
\n2012 Arbeitsstipendium des Kunstvereins Greven<\/span>
\n2010 Gotlandstipendium des Landschaftsverband Westfalen-Lippe, M\u00fcnster<\/span>
\n2010 F\u00f6rderpreis der Freunde und F\u00f6rderer der Kunstakademie M\u00fcnster e.V.<\/span>
\n2009 Arbeitsstipendium der Aldegrever Gesellschaft f. Druckgrafik in S\u00e9guret, Frankreich<\/span><\/p>\n

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Werke in \u00f6ffentlichen Sammlungen<\/b><\/span>
\nStiftung Museum Kunstpalast<\/span>
\nKunststiftung DZ Bank<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Biografie von Lena von Goedeke *1983 in Duisburg lebt und arbeitet in Berlin   Webseite von Lena von Goedeke Instagram: […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_vp_format_video_url":"","_vp_image_focal_point":[],"footnotes":""},"class_list":["post-473","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/dev.m-bochum.de\/index.php\/wp-json\/wp\/v2\/pages\/473","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dev.m-bochum.de\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/dev.m-bochum.de\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/dev.m-bochum.de\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dev.m-bochum.de\/index.php\/wp-json\/wp\/v2\/comments?post=473"}],"version-history":[{"count":5,"href":"https:\/\/dev.m-bochum.de\/index.php\/wp-json\/wp\/v2\/pages\/473\/revisions"}],"predecessor-version":[{"id":479,"href":"https:\/\/dev.m-bochum.de\/index.php\/wp-json\/wp\/v2\/pages\/473\/revisions\/479"}],"wp:attachment":[{"href":"https:\/\/dev.m-bochum.de\/index.php\/wp-json\/wp\/v2\/media?parent=473"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}